Reviews from The Servant:

‘Interpreti tutti all'altezza del compito assegnato: Peter Gage Furlong ed Alexey Bogdanchikov

costruivano un serratissimo, affascinante 'pas de deux' padrone/servitore, con sfoggio di rapida

vocalità e grande abilità attoriale. (The cast all gave high level performances...Peter Gage Furlong

and Alexey Bogdanchikov created a tight, charming 'pas de deux' master/servant, with rapid display

of vocal skill and great acting ability).’

Teatro.org: 6 May, 2011

Tonyho Williamse, kterého účinně představuje angloamerický tenorista Peter Gage Furlong - má bohatý

hlasový fond. (Tony Williams, portrayed by the Anglo-American tenor Peter Gage Furlong - has a rich

vocal range.)

Pilsen Journal: 18 September, 2010

Reviews from Madama Butterfly:

‘Furlong was incredibly charismatic as the reckless Pinkerton, whose villainy was almost immediately revealed. And yet, in the hands of this talented tenor, his character gained sympathy. Possessive of powerful vocals, as well as considerable acting finesse, his character’s presence on stage was missed by the spectators nearly as much as by Butterfly.’

ReviewFix.com: 15 April, 2010

‘Peter...brought the best of what opera is meant to be: fine singing, beautiful melodies, and clear dramatic motivation...that exploded from time to time into great beauty.’

Cape Cod Times: 2 May, 2010

‘The tenor for the evening, Peter Furlong, who played the callous, self-righteous racist Lt. Pinkerton, had all the command of voice for his role.’

Worcester Telegram and Gazette: 30 April, 2010

Reviews from Il caso Mortara (world premiere):

'The cast was strong, especially...the magisterial tenor Peter Furlong as the aggrieved, defiant father...'

New York Times: 27 February, 2010

'Standouts in the cast are...Peter Furlong's sturdy tenorial father...'

Clessics Today: 25 Fubruary, 2010

'...tenor Peter Furlong sing(s) anguished pleas for (his) abducted son...sometimes reaching up to the top of (his) range'

Q onstage: 25 February,2010

Reviews from Tobias Picker’s Thérèse Raquin:

“Peter Furlong, as Camille, made the strongest vocal showing of the night pump(ing) out

sound and effect.”

The New York Times:

“Lyrically indulging, tenor Peter Furlong becomes an avenging spirit, leveling charges in a

high, dramatic aria.”

Qonstage:

“Peter Furlong's sweet-toned tenor gave the wronged husband, Camille, a plaintive appeal.”

The New York Post:

Reviews from Keith Burstein’s premier of Manifest Destiny:

“Adding strong support (was) Peter Furlong’s Daniel”

The Stage:

“Full marks to the talented cast of four”

Evening Standard

Reviews from Tosca:

“Mr. Furlong’s, Cavaradossi was without any immediate comparison. It was brilliant in every

way.”

“Peter Furlong’s Cavaradossi was full and rich and strong. His voice filled the hall; his stage

presence was impressive and his acting was never stiff or forced.”

OperaOnline:

Reviews from Die Drei Pintos:

“An elegant tenor, Peter Furlong, a new name to me, but one that is surely destined to be a

major box office draw.”

David’s Review Corner, NAXOS.COM:

“A strong performance from American tenor Peter Furlong as Don Gomez.”

Opera News:

“Peter Furlong as Don Gomez (was) nicely sung with a warm blend.”

Sunday Independent (Ireland):

Reviews from Street Scene:

“(Peter’s Sam Kaplan is) utterly believable (with his) strong singing.”

New York Times: February, 2002